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Archive for August, 2009

This weekend I taught a workshop for the Fall Leadership Summit of the TX-LA Gulf Coast Synod of the ELCA. The session was titled “Worship – All Things Alternative.”

Here is a brief overview of what I talked about:

  1. Definition of worship
  2. Attempt to define differences between worship styles
  3. Problems with trying to define worship styles
  4. Questions for reflection
  5. The alternative perspective of Convergent Worship
  6. Some alternative elements to use in worship
  7. Resources

Dowload the handout-notes here: “Worship – All Things Alternative”

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Tozer Quote

“The holy art of worship seems to have passed away like the Shekinah glory from the tabernacle. As a result, we are left to our own devices and forced to make up the lack of spontaneous worship by bringing in countless cheap and tawdry activities to hold the attention of the church people.” –A.W. Tozer

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From Tony Morgan

Feel free to keep investing in print communications if your highest priority is keeping your “internal customers” happy. Just thought you should know that other organizations are using the web to reach the same people you’re probably trying to reach in your community.

So what else does your church do to keep “internal customers” happy, but misses reaching out to new people?

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Integrity

Rip.

Up.

What else is there to say? Here is a lesson in rhythm section dynamics and interchange.

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I’d swim across lake Michigan
I’d sell my shoes
I’d give my body to be back again
In the rest of the room

To be alone with you
To be alone with you
To be alone with you
To be alone with you

You gave your body to the lonely
They took your clothes
You gave up a wife and a family
You gave your ghost

To be alone with me
To be alone with me
To be alone with me
You went up on the tree

To be alone with me you went up on the tree

I’ll never know the man who loved me

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5. Lead guitars, sax, flute, and other instruments should not play the melody, but learn to play complementary parts in the pockets (between the vocal parts).

Read Tune Ups 1 2 3 4

I think there are also exceptions to this rule. I know there are times when I’ve had a lead solo instrument double the melody with the vocals, and it has added impact to the song. But I don’t suggest doing this more than 1 time during a set of worship songs. When you overuse this, it can sound amatureish. If you do have a solo instrument doubling the melody a lot, have them stop, and this should give your band a more professional sound instantly.

Some other solo instruments that sound good with a Worship Band:

  • cello
  • trumpet
  • clarinet
  • oboe
  • mandolin
  • hammer dulcimer
  • accordion
  • vibraphone

Learning to play complimentary parts in the pockets takes many years of musicianship to be able to do it on the fly. “In the pocket” in this sense means “between vocal parts.” The best example is on “turn-arounds” or the section of instrument music that takes you from the end of a chorus back into the beginning of a verse. Another “pocket” would be at the end of a vocal phrase, during the rests before they come back in.

Of course, if you’re going to add a solo instrument, and they can’t improvise, or even if they can, someone is going to have to write a part for every song. There is one resource that I have been consistently satisfied with when finding orchestrations for Worship Band songs. G3 music not only has creative arrangements of popular worship songs and hymns, but they also have great sounding horn parts that accent the song. G3 also allows you to subscribe to their service, or just buy single songs “a-la-cart” from the website. Having a solo instrument play the orchestration of their part from a song would be a good example of how to play in a Worship Band.

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